How ‘Little Richard: I Am Everything’ restores the rock ‘n’ roll icon to his throne

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The documentary film looks at Little Richard’s life as a Black queer man who struggled with competing passions for God, sex and music throughout his life.

Director Lisa Cortés says there’s one thing she’s often heard from people after they’ve watched “Little Richard: I Am Everything,” her new documentary on the colorful, complicated pioneer of early rock ‘n’ roll.

ittle Richard at Wrigley Field in Los Angeles, Sept. 2, 1956, as seen in the new documentary “Little Richard: I Am Everything.” Archival interviews with Penniman, who died at 87 in May 2020, show it’s clear he seldom felt he’d received his due. Through new interviews with a host of entertainers such as Mick Jagger, Billy Porter, Nile Rodgers and John Waters – all of whom profess their love, admiration and emulation of him – it’s clear many others agree.

That brought back memories of being a kid dancing around with my cousins in the summer. And I wanted to learn more. I was like, ‘Wow, I wonder if there’s a doc on him,’ and then discovered there wasn’t.A: I think I was especially intrigued when he passed away. You’ve got Bob Dylan giving tribute. You have [Foo Fighters’] Dave Grohl. You have Elton John. You have so many artists who are like, ‘He was the king, he was so important.’ Bruce Springsteen gave him a tribute.

A: I think you can’t deny that race and his queerness, that is a combination that was so threatening. The idea of putting a queer Black man in the ’50s on a pedestal, you know, was not going to happen. It’s unfortunate because those are the things that make him so incredible. That he’s a Black queer man who is elevating this art form, and adding so much passion and potency.

Q: There’s so much wonderful footage in the film of Little Richard performing and giving interviews, things I’d never seen before. Are there things you found in your research that were particularly special finds for you?

 

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