, you might say—clearly one character has a harder hill to climb. But the show plays with your allegiances, bouncing you between the characters and demonstrating, in the process, what fine actors Wong and especially Yeun are—both with an ability to command your attention even when they are plumbing the basest depths of their characters. You root for them at the same time that you loathe them.
The fact that both are miserable suggests either that the poison lives deeper within them or that it’s actually more pervasive and universal.—produced this show, and it has the aesthetic finesse of many of that company’s productions. Title cards look like they might have been designed byare particularly evocative.
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