In an exhaustive summary of Tuesday’s dumbest events, Wood highlighted how Rep. Marjorie Taylor Greene had compared Trump to Nelson Mandela and Jesus as other figures who had been subject to political arrest. He also made the point that none of what transpired today needed to happen. “The crazy thing about all of this today is that Donald Trump didn’t even have to come to New York,” this week’shost said. “He could have done the whole arraignment at the crib.
“Trump wants publicity,” Wood said. “Look at how he came out of Trump Tower this morning giving the Black Power fist like a real political prisoner. He lives for shit like this. Hell, Trump is liable to show up to court every day dancing on top of a car like Michael Jackson.” He added: “And the media, man, the media, what they do? They play right along with it, giving us wall-to-wall coverage, even when there was absolutely nothing to talk about.”
After running through the day’s events, Wood reflected that he needed to go viral with his analysis. “I’m trying to go viral this week. There’s a lot of pressure being a guest host,” he joked, alluding to the need to draft in a very special guest to discuss events. Help came in the form of a ghost from
Watch this, so funny!
Dang, that was quick!
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Mummy Labels: A Witness to the Use and Processing of Wood in Roman EgyptAbstract Mummy labels are relics found in large quantities in Egypt, often in an excellent state of preservation (like most woods preserved in arid environments). As a result, they are widespread in Roman Egyptian collections of many museums. These labels reflect funerary practices that possess Egyptian and Roman influences and are an important source of historical and archaeological information. These corpora of mummy labels offer several possibilities for investigation. The inscriptions on these labels have been the subject of an international project (Death on the Nile) in which all accessible objects were recorded in a database. However, the potential of these funerary objects extend beyond the inscriptions to the methods of manufacturing and cutting, the choice of species used, and their dendrochronological potential to better define their chronology and possibly their provenance. The study of mummy labels allows us to propose a new typology, some forms of which seem to be limited to certain necropolises. Mummy labels, whether made by the family of the deceased or by specific workshops, show that their realizations vary greatly, ranging from coarse specimens to others with beautiful detailing. They are made from endemic as well as imported species, which are symbolic of long-distance trade, especially for conifer trees, which are well represented. Their dendrochronological potential has also been demonstrated in numerous studies, some of which have allowed the identification of labels from the same tree, supported by inscriptions attesting to the same family relationship.
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