Keira Knightley as Loretta McLaughlin and Chris Cooper as Jack MacLaine in 20th Century Studios'"Boston Strangler."
It's quaint to read such concerns today when true crime has become a blockbuster industry and grisly deaths are mere fodder for the content churn. From countless podcasts to multipart streaming docuseries to all your mom’s favorite murder shows, our unsettling national obsession with real-life killing seems to be reaching a queasy fever pitch. Granted, mass murder as mass entertainment is nothing new.
The 1968 picture emerged from a Hollywood in transition, rocked by newly permissive cultural mores while trying to win back a youth audience lured away by more sophisticated foreign films and the anarchic transgressions of “Bonnie and Clyde.
Dated as the depictions of mental illness and other aspects of Fleischer’s film may be, I think it’ll still age better than Ruskin’s 2023 revision, which is one of the most shamelessly pandering pictures I’ve seen in some time. Keira Knightley stars Loretta McLaughlin, the Boston Record American reporter who broke the Strangler story in 1962. Not so much a character as a collection of can-do cliches, she’s a plucky housewife aching to prove her mettle and get off the society desk.
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