At first glance, with the oversized illustrations and text, the bright colors and found objects suspended from the ceiling, it feels like stepping inside a children's book — on a massive scale.
"Why do I keep going? Because it keeps me going," Álvarez Muñoz said."That's what propels you to wake up in the morning and have a mission. I think for me, it has been more of a vocation." "El Límite" is the first thing you see, with sardine-can trains adorned with printed text from childhood stories about post-war immigration routes by train. The museum commissioned this piece in 1991 for a solo exhibition of the same name — and also acquired several other of Àlvarez Muñoz's pieces.
, a redrawing of borderlines, or even just a progression throughout the United States in terms of art exhibitions," Casso said."Petrocuatl" is another installation, representing a performance piece. It centers on an artifact she invented, made from a found gas mask and vivid feathers, with a full, wall-size mural of photos of Mexico City from old magazines. Set against bright fuchsia is text that's equal parts unsettling memory and absurd story.
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