First off, let me ask you how David Young is doing? Can you
share the general nature of his medical condition, and whether or not he’s going to be involved in the negotiations in an advisory capacity?Can’t really say. He’s on a medical leave and that’s all the guild is saying at this time. He’s not going to be involved in negotiations.
How flexible will the guild be at the bargaining table, and is the guild willing to compromise on its core issues?Negotiation in some sense is always compromise, but we are very clear on our ultimate goal, which is that the companies cannot be earning the vast amount of money that they’ve been earning year after year after year, competing for dominance in the streaming world, while writers have an impossible time earning a living.
, WGA West board member Eric Haywood, who’s a member of the guild’s negotiating committee, said that “” in the trades ahead of negotiations “are spread by the companies in order to discourage and disempower Hollywood labor by convincing us and the public that they can’t afford to pay us for the value we create.” He claimed that the information “is rarely challenged by industry trade publications that are dependent on those companies for their revenue.
Cahoots? I wouldn’t use the word “cahoots.” I agree with what Eric said in the sense that the companies’ earnings issues are never challenged, in the sense that there is a generally accepted truth, it seems, that the business is contracting and that the streaming model is not going to be profitable; that these companies’ aren’t going to figure it out; that these companies are in trouble. But that’s just not true, and yet we see it reported all the time.
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