“Everything Everywhere All At Once” Is A Feel-Good Choice. It’s Still The Right One.

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Critics complain that the Oscar-winning movie is too sincere — but the maximalist plot and unflinching earnestness are what make the film so moving.

’s weaknesses — with its constant variation in setting, genre, and even form, it can be frenetic to the point of exhaustion, and the climactic reconciliation speeches of its central characters can feel too grandiose for how little time we spent observing them function as a family.

Emotional stakes can seem cheap when they are served up on a platter. But, for me, the maximalist plot and unflinching sincerity ofaren’t making sweeping statements about how this family has always been and how this family will always be. They truthfully represent the intensity of repressed emotion as it bursts forth in a single day’s fight.

It’s not anti-intellectual for a piece of art to espouse a seemingly simple philosophy of living. Just because Waymond’s request for his family to “be kind” can be summed up in two syllables doesn’t make it easy to execute; religious scholars have debated core texts for centuries precisely because their teachings are easier said than done. We’re always making excuses for why today’s specific situation is exempted from what we say we believe.

 

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