, Patti Bordoni and Marco Liotta. “Initially going in, I had said I’m looking for [something] gender-bending, [I was] referencing Madonna and Prince, my 80s ladies,” they said. At Amarcord’s archivesthey tried on a number of vintage looks, including a flouncy, green velvet dress that reminded them of something the Italian actress Giulietta Masina might wear, which was surprising, since they didn’t think they’d want something so feminine.
They were intrigued by the idea of a tailored suit, recalling an “unbelievable” one they’d seen Kristen Stewart wear years ago at Lincoln Center. But knowing the time crunch they were under, tailoring and fitting a suit to their petite frame wasn’t a possibility. They tried on a 1950s halter dress with a full skirt that fit perfectly but was the “exact opposite” of what they thought they were going for. Liotta recognized that they were steering down the wrong path.
honor and horror of figuring out what to wear. But Medel’s choice to respect their dysphoria instead of push it aside or mask it with an easy answer to “who are you wearing” aka “what is your wholeprofound.
In the end, Medel landed on a black vintage strapless sheath with no label that belongs to Addi, one of the Spaghetti Strap owners—a decision that even as of last Tuesday, they weren’t fully sure of. They don’t know who designed it, when it was designed, or anything about it other than that it was “just so beautiful and made me feel like a grown-up.” On stage, they held Hsu’s hand, rested the other on James Hong’s shoulder, and radiated elation.
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