that’s not always served by the film itself, which is neither scary nor all that convincing when it rummages through the toolbox of familiar genre tropes.
And yet, this debut feature from British-born Filipino writer-director Paris Zarcilla gets its message across despite all the jump-scares and haunted house hysteria. That message is simple but effective: In a world where immigrants toil at the behest of a privileged ruling class, to the point where they’re sometimes more indentured servants than free individuals, the horrors of everyday life far outweigh anything that a movie could invent.
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