’ albums have been pretty high-concept, in the musical styles they tried on for size. She didn’t come in like a wrecking ball so much as a pendulum. Successive records found her swinging back and forth — or sideways — from the pop-diva dominance she established with “Bangerz” to the one-woman back-to-roots movement of “Young Again,” on up to the rockin’ new-wave revivalism of 2021’s “Plastic Hearts.
Having established what “Endless Summer Vacation” isn’t, then, what is it? For lack of a better unifying descriptor:, at least to the extent that anyone as alpha as Cyrus can be. That’s not to say that the album is as lazy, or laissez-faire, as the title might make it sound. But it’s a fairly unpretentious pop record that has some stylistic micro-shifts that don’t announce themselves too proudly or loudly. In touting the album in advance, Cyrus has described it as having a prettier “a,m.
It’s good to know that 2007’s “Hannah Montana 2: Meet Miley Cyrus” didn’t have to be the last album she’d ever put out with a split personality, in other words. There are a couple of features in the album credits — by Brandi Carlile and Sia — but fans of either should be forewarned that the star billing doesn’t amount to much in either case. Carlile provides a background vocal on the back half of the sweet “Thousand Miles,” but it’s buried so far down in the mix, it’s not clear why Cyrus bothered to bring in outside support.
Album of the year
She needs to spend some time removing some ugly tattoos.
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