The nearly 7-foot-tall “Visions of Eternity” seemed to be an outlier among Salvador Dalí's work from the 1930s. The curators, both working on the Art Institute of Chicago’s first show dedicated to Salvador Dalí, were researching his painting “Visions of Eternity,” which was dated to 1936 and had been held in the museum since the late 1980s.
Dalí was known for recurring visual motifs — think flaming giraffes, deflated pianos, and, of course, melting clocks — but this painting didn’t seem to have any visual companions, said Cohen. ,” which opened Feb. 18 at the Art Institute. The show approaches Dalí’s practice through contrasting themes of visibility and disappearance: As the prolific Spanish artist became a leading figure in the surrealist movement during the 1930s, he repeated themes of vanishing, from wispy figures and optical illusions to hidden portraits masked by paint.
Haskell and Cohen worked in tandem with the museum’s paintings conservators Allison Langley and Katrina Rush, who undertook technical analysis of the artworks, revealing insights into some of Dalí’s works that greatly shift their meaning.
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