‘The Quiet Girl’: The Irish Film Making Shocking Oscars History

in Oscars history—Colm Bairéad’s contemplative drama is as superb as any feature debut in recent memory, its power derived from its marriage of graceful writing, subtle direction, and unbearably expressive performances. Movies don’t come much more exquisitely heartbreaking than this.

In a series of early, pointed snapshots—of Cáit ducking with shame beneath a bedroom mattress with a wet stain in its center ; reading so slowly in class that the teacher has a fellow student finish the passage aloud; and fleeing school after two boys spill milk on her dress, thereby forcing her to publicly revisit her bed-wetting embarrassment—Bairéad tenderly evokes her isolation, humiliation, and despondency.

As when Cáit gazes out a car’s backseat window at passing trees set against a blue sky dotted with pillowy clouds, and then turns her attention to the rear shoulder of her father and a handful of cigarette stubs scattered in the vehicle’s ashtray, the director’s images prove intensely attuned to his protagonist’s viewpoint.

This is an unthinkable cruelty, and yet it also turns out to be an unimaginable stroke of good luck for Cáit, because she’s put in the care of distant cousin Eibhlín , who, from their first encounter, exhibits a measure of kindness—bending down to greet Cáit face-to-face, and lovingly putting her long locks behind her shoulders—that’s completely foreign to the child.

beastobsessed

beastobsessed Great movie, brilliantly filmed. Well deserved IFTA lead actress win for Catherine Clinch Grandma cried watching this

beastobsessed Make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history make history

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The Quiet Girl review: well-meaning film needs to make a little noiseIreland’s Best International Feature Film Oscar nominee about a young girl escaping her dysfunctional family looks pretty but says too little An ill-meaning review making bad noise. It suggests that languages in danger of extinction / children suffering neglect qualify as the lowest stakes? Some cruel abuse with the suggestion that Catherine Clinch has nothing but a blank face. She is brilliant. Rotten Tomatoes: 99% A voiceover! Hahaha! 'Yeahhhhh, that's me. 'The Quiet Girl'. That's what they used to call me. Quiet by name, quiet by nature. I suppose you're wondering why I was always so quiet. Well listen up and I'll : ‘Sure, ‘The Quiet Girl’ is brilliant and stuff, but what it really needs is some Michael Bay explosions and it’s characters to speak American!’
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