CHANCE: Does the show open tomorrow or do you start getting ready tomorrow?CHANCE: Do you remember the title that you told me when we were in Florence? It was like thirteen words. It was raw as hell.
of Jesus have always been controversial. Now they’ll concede and say Jesus wasn’t white, he was Middle Eastern. So he still wasn’t Black.CHANCE: I think one of the deepest pieces that you have is. I got to see it in person. Can you talk about the piece? STOKES: Absolutely. I remember a moment when we were both in Chicago and I told you how we have this consistent term throughout history in relation to how the Egyptian empires are depicted as these tanned-out white dudes. We say the term “whitewash,” they “whitewashed” it. So I feel as if a key element of my practice is the term “Blackwash.
CHANCE: Bro, we was on the ninth looking crazy. But I think it’s so deep that we were older than y’all, influencing or inspiring y’all, and now you guys are at a point where you guys influence and inspire me. You’re making art that makes me want to be an artist because you do it at such a high level. And we’re finally collaborating in a meaningful way. It’s a testament to how Chicago works.
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