Among many things that ended up winning me over about Radio Silence directing group members Matt Bettinelli-Olpin and Tyler Gillett’s, the main one was that—like its predecessors—it understood how we were going to feel about it before we even got to see it. It knew that I would be torn about its existence. And that, folks, just scratches the surface on why the new, in all its meta-for-a-modern-time goodness, is the best installment since the Wes Craven original.
Big questions are raised and left in the air to hang: Are we really just the monsters we create? Are we the monsters that created us, and do we have to be? What is so toxic about loving something with everything you have and wanting it to stay good? Like you’d expect from the franchise, it doesn’t necessarily offer answers to those questions, but the fact that it poses them at all feels right.
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