‘Le Pupille’: Why Music Was Important for the Story of Italian Orphan Girls in Oscar-Nominated Short

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Filmmaker Alfonso Cuaron wanted to explore making a series of short films honoring the different cultural traditions at the end of the year, from Christmas to Hanukkah to pagan traditions. His conc…

wanted to explore making a series of short films honoring the different cultural traditions at the end of the year, from Christmas to Hanukkah to pagan traditions. His concept was to find a director suited to telling the story, depending on the culture. When it came to Christmas, Cuaron says, “That time of year is meaningful in most cultures. It’s the end of the darkest nights and the beginning of a new cycle.

When Cuaron approached Rohrwacher to make the film, she thought of a letter written by Elsa Morante about a cake. Christmas, an important holiday for Italians, was the perfect setting for the director to tell her story. She explains, “It’s a film about desires, pure and selfish; about freedom and devotion, about the anarchy that is capable of flowering in the minds of the girls within the confines of the strict boarding school. Though the obedient girls can’t move, their pupils can dance the unrestrained dance of freedom.”

Her creative brief was to write music as if it were a silent movie. The addition of song and music gave her a new way to further the narrative in the way she wanted with the girls singing the song at the end. “We suddenly had this way of talking about how to share the cake joyfully and playfully.”

 

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