was the queerest. She was fucking the gardener, and Russell.” This is the line that a young Ludwig Wittgenstein daintily uses to introduce Tilda Swinton’s depiction of the historical figure in Derek Jarman’s.
A particularly notable scene is one in which the actress appears with her face painted as May Ray’s 1922 photograph of Bronislava Nijinsky, in stripes of blue and yellow with a plastic comb strategically placed in her topknot. Morag Ross, the make-up artist responsible for such a look, also gave Swinton pillar-box red fingernails and lips, a pallid complexion and spidery thin brows framing heavily shadowed eyes, reminiscent of Marlene Dietrich.
We have summarized this news so that you can read it quickly. If you are interested in the news, you can read the full text here. Read more: