Kristen Roupenian’s “Cat Person” experienced a journey to the center of the cultural zeitgeist that few contemporary short stories will ever be allowed to make, and even fewer would survive.
But the movie doesn’t sustain as a young woman’s hellscape; after a few early overtures toward satirizing campus pieties, it’s lured away by incident. On the page, the ending of “Cat Person” was so bluntly “correct” – yes, this is what probably would happen – that it lacked that crucial short-fiction lift, the ascension out of the microcosmic that allows a brief glimpse of the larger world beyond its immediate concerns.
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