is about music, aesthetically it is about noise versus silence. Club scenes full of pulsing beats, electronic squeals and heavy ambiance are juxtaposed with delicate moments of near-total silence. Hansen-Løve’s approach sets off the raucous nightlife with the more personal elements, and illustrates the gulf between Paul and his girlfriend Louise and everyone else around him as they move on with their lives while he, again, does not.
London-based film writer Anna McKibbin loves digging into classic film stars and movie musicals. Find her on
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