: I was just asking Gia how you two became acquainted with each other and what attracted you two to each other’s work.: I wasn't familiar [with Gracie], but her label sent me the song and she had a very thorough mood board. I was intrigued. I thought she had really interesting tastes and the song was beautiful. I'm not in the know with music, but I asked my cousin and she was going on about what an amazing lyricist Gracie is. I was like, “Well, I gotta do it then.
There was also a Depeche Mode [influence]. I love using light as a tool to manipulate and dictate space. We shot it in my uncle's office and used all these up-and-coming PAs and interns who have such vision and interest and excitement for the film medium to all put our heads together and just be in a collaborative space. To just be with creative people and run wild in that way was really refreshing and such a blessing.
“In today's music, [Abrams] has something so soulful. She’s really respected, especially by the next generation, as a songwriter.”: I'd say I struggle with that [visual] side. And so meeting you, I was like, “Thank God, thank God.”: The lucky thing with this song and why I feel as connected to it as I do, not just because I wrote it, is because it came out very fast and incredibly natural.
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