Sundance: How Viral New Yorker Short Story ‘Cat Person’ Became a Modern Dating Horror Movie

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Director Susanna Fogel and screenwriter Michelle Ashford worried that Kristen Roupenian's unsettling #MeToo tale was unfilmable, so they decided the best course of action was to lean into the story’s more chilling elements.

“Cat Person,” the short story, follows Margot, a 20-something college student , and Robert , a mid-30s guy, as they stumble through a handful of awkward and questionable encounters — many of which happen via texting — before the would-be relationship culminates in a vitriolic series of texts sent by Robert ending in a single message: “Whore.

Recalls Roupenian: “I was living in Michigan, I was a grad student, [“Cat Person”] was my first published story, and [my agent at the time] was like, ‘Wow, we’ve got the contract fromand it’s all great. I think the terms of the film deal could be better.

Multiple tones, conflicting genres, and tricky subject matter meant that the filmmakers were particularly concerned about finding financing. “At the beginning, we were having a hard time placing this script. When we were talking to people who just do flat-out horror movies, they were like, ‘There’s a lot of talking about relationships and stuff,’” remembers Ashford.

 

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sorry but i dont think female directed metoo films are a fair depiction at all. Theres an inate bias that comes across in an overpowering way. Im sure feminists love that vibe but I prefer more balanced takes that place accountability on all involved for their choices.

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