Note: My name is Gene Park. I’m a reporter covering gaming culture for Launcher, The Washington Post’s video game vertical. I’m following “The Last of Us” from the perspective of someone who has played all the games .
Druckmann goes on to say that the game and the show aren’t really about the pandemic, and he’s right. After the ominous warning from 1968, we flash forward to Austin in 2003. Sarah is getting ready for school and planning for her dad’s birthday. Parker and Pascal engage in playful banter, and we even see Joel’s brother Tommy join breakfast. It’s clear that this is a family unit where everyone depends on one another: both Sarah and Tommy hold Joel accountable for the lack of pancakes.
After that, we get a jarring flash forward several decades. We meet a child walking aimlessly into Boston, now established as a “quarantine zone” from the pandemic. The child is infected, and the militarized police force opts for euthanization. Finally, we meet Bella Ramsey’s Ellie, chained in a Firefly location for as-of-yet-unknown reasons. She’s forced to undergo simple logic tests to prove her awareness of the situation. The Fireflies seem to be restless, questioning their leader Marlene’s plan. But once Marlene writes out her reason silently to a trusted associate, questions turn into unquestioning determination. They need to get Ellie out of Boston.Joel and Tess’s hunt for a car battery puts them in the orbit of the Fireflies.
Can it live up to the game.... and avoid a 'woke' modified storyline which destroys the both the cannon and enjoyment....
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