over a billion streams on Spotify, over a million followers on Instagram, and an already sold-out international tour on the horizon,has all the characteristics of a star. But as the 27-year-old settles into a late-night Zoom call, dressed casually in a red hoodie and complementary blue Yankees cap, he seems more like the boy next door than music’s next big thing. Even on the brink of a breakthrough, his demeanor is confident yet somehow gentle, much like his viral music.
After years of teaching himself guitar via YouTube tutorials and “writing songs for no one to hear,” the University of Texas at Austin grad turned to SoundCloud in 2017 as a first attempt at a music career. “At that time, I actually wanted to quit music for a little bit because I couldn't figure out exactly what I was doing with it,” he reveals. By that time, he was also working as an oncology nurse in his hometown of Houston.
After months of flying back and forth from New York, for eventually fruitful label talks with Island Records, and what he calls “the worst day of [his] nursing career,” Keshi felt it was time to loop in his parents about his increasing digital footprint. “[The original conversation] wasn't even about leaving nursing, it was only about going part-time. But my dad got set off and he took it as me not appreciating the opportunities that I had been given being born in the U.S.
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Preferred music-listening level in musicians and non-musiciansThe purpose of this study was to establish whether preferred music-listening level differed between musicians and non-musicians, and whether preferred music-listening level was related to music genre preference and lifetime noise exposure. Seventeen musicians (mean age=29.06 years, SD=4.74; female n=9) and 17 non-musicians (mean age=28.94 years, SD=4.63; female n=9) with clinically normal hearing were recruited to listen to six music samples from different genres and one sample of environmental sounds. Participants adjusted the listening level [dB(A)] until the music was loud and enjoyable. This was repeated three times and an average was taken. Lifetime noise exposure was estimated using the Noise Exposure Structured Interview. Preferred music-listening levels of musicians were significantly higher than non-musicians. The preferred music-listening level differed with genre preference, with the participants’ favorite tracks being played at 11 dB higher level than the least favorite tracks. There was also a positive correlation between lifetime noise exposure and preferred music-listening level. Musicians prefer to listen to music at higher level than non-musicians and thus may be more susceptible to noise induced hearing loss than non-musicians. As such, musicians in particular would benefit from simple changes in lifestyle and listening habits, including increased awareness of the risks of higher listening levels, as well as the use of hearing protection.
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