Shane Black Reflects on Iron Man 3's 'Christmas Carol Aspect'

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Iron Man 3 director Shane Black recently reflected on how Christmas is involved in many of his films, including the third Iron Man film.

Iron Man 3

director Shane Black recently reflected on how Christmas is involved in many of his films, including the divisive thirdexplicitly takes place in the Christmas season. The director discussed his intention behind this choice, as well as the“I didn’t want Christmas to feel like a gimmick, or something that was predictable, or ostentatious on my part,” Black told

. “It started out as fun, and as soon as people noticed it, it stopped being fun. But I acquiesced largely because of theaspect of it. Tony loses his support, loses his base, he’s adrift in Mid-America. And he’s not going to be visited by ghosts, but he’s certainly going to be in the middle of a reckoning, or a reconciliation, where he has to take stock, figure out what’s troubling him, and how he’s going to continue. It worked out well for the ending.

The coda is basically him at Christmas, giving a gift to his fiancée, and giving a gift to a little kid who helped him. And there’s a Christmas miracle when Jon Favreau’s character comes out of a coma. There’s something about it, where you can get dark and dark and dark, as harsh as you want, and then summon up a little Christmas, and it gives you that pleasant out that you’re looking for.”

“Plagued with worry and insomnia since saving New York from destruction, Tony Stark , now, is more dependent on the suits that give him his Iron Man persona — so much so that every aspect of his life is affected, including his relationship with Pepper,” reads‘s synopsis. “After a malevolent enemy known as the Mandarin reduces his personal world to rubble, Tony must rely solely on instinct and ingenuity to avenge his losses and protect the people he loves.

 

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