Broker Score Details “Song Kang-ho and Lee Ji-eun shine in Broker, the moving new portrait of a found family from Shoplifters director Hirokazu Kore-eda.” Pros Cons There is no other filmmaker alive who is making better family dramas than Hirokazu Kore-eda. The writer-director has crafted more impeccably written, tenderly captured dramas than almost any other Japanese filmmaker since Yasujiro Ozu.
Their illegal side hustle is threatened, however, when Moon So-young , the mother of a baby that Sang-hyeon and Dong-soo kidnapped in the middle of the night, comes looking for her son the next day. Rather than notifying the police about Sang-hyeon and Dong-soo’s brokering, though, So-young decides to travel across South Korea and help them find a new home for her son.
There are no over-the-top fights or arguments in Broker. Instead, the film’s revelations come to its characters gradually and quietly — forcing them to grapple with their own mistakes and flaws without ever punishing them too harshly for them. As is the case in so many of Kore-eda’s films, it’s ultimately the deep connections that form between Broker’s central characters that provide the enlightenment they need.
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