Jam Band Takes on ‘White Lotus’ Theme for the Win

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“Renaissance,” the title music to season two of HBO’s “The White Lotus,” written by the Chilean American composer Cristobal Tapia de Veer, has touched something deep within the mo…

The melody is really interesting, especially the way that the vocal part is sliced up and chopped up to have an almost Native American sound. I think we’re so used to hearing a normal human voice and human melody that when something different happens, it catches the ear just as a large interval jump will catch the ear instead of a melody following the usual steps of a scale.

The storytelling will lead you down certain paths, and sometimes those paths don’t get resolved and they don’t develop and they’re almost like a diversion to the true storyline. I think everyone who watched the finale of season two was both satisfied and unsatisfied. Certain plot lines were tied up and other ones were left wide open.

Normally we’ll catch these ideas in practice and let it marinate a bit. But not only was this an instant hit with the band, it also felt very current. We felt like, we’ve got to play this immediately since the season finale had just aired. We also did a quick little search online and didn’t see any other covers of this, and we were kind of shocked by that. There were a couple of TikTok videos floating around about that funny kind of vocal melody.

Also, the twists and turns in “The White Lotus,” where some of the storylines end up resolving and some leave you hanging, you can do that musically, too. Especially with our live concerts where we’ll help lead our audience down one path and whether or not that tension resolves musically or not is part of the different emotions we try to evoke in the crowd.

 

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