, in early September, Panahi had already been incarcerated in Tehran’s Evin Prison, where most of the nation’s political prisoners are held, for more than a month.before his literal imprisonment, there’s no way to watch this film without feeling mournful, or fearing for the man who made it. The structure at first seems to be that of a movie within a movie.
In the film, Panahi-as-Panahi, an imagemaker to his very bones, has been seen taking photographs around his rental, and the local men have accused him of taking pictures of two young lovers who happen to be embroiled in a local controversy. When questioned, Panahi insists that he has no such picture in his possession; he hands the men his camera’s memory card, to do with it as they will.
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