Review: Bad Hats Theatre’s reimagining of Alice in Wonderland dares us to lean into childlike curiosity

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Bad Hats Theatre’s reimagining of Alice in Wonderland dares us to lean into childlike curiosity

This is one question every one of us was likely asked as a child – or have asked a child after becoming adults ourselves. But what if it’s been the wrong question all along?, the question of what Alice wants to be weighs heavy on her. The query is initially presented to her in a homework assignment, but it proceeds to follow her in nearly every one of her interactions. Her inability to come up with a definitive answer – and instead ask even more questions – becomes her driving force.

Punished for her relentless inquisitiveness, Alice is banished to the back of the classroom to finish her homework. She can’t help but stare out the window daydreaming, and it’s not long before she finds herself following a white rabbit down the rabbit hole and into Wonderland. Despite a minimalist set made up only of desks, chairs, a blackboard and wooden frames, director Sue Miner does a good job of bringing the scenes to life through tightly choreographed movements and lights.Along the way, she meets all the beloved characters from the original story – and each one fills her mind with even more questions. Aside from Alice and the Cheshire Cat , the actors each play multiple roles but successfully bring something new to every character.

Filled with catchy original music , modern-day references and Sauder’s quick-witted humour, the show is fast-paced and clever enough for any adult to enjoy, while still offering plenty of magical moments and kid-friendly jokes for younger audience members. Toward the end of the show, a scene between Alice and the caterpillar is a particular standout, helping to drive home the central theme.

 

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