Those plucky presenters of experimental music, Project [BLANK], kicked off its fifth season Saturday at Bread and Salt with “Machine Music,” a concert that promised — and delivered on — a “night of electronic sound.”
The concert opened with University of California San Diego composer Michelle Lou seated behind a laptop. Pulses of glitchy white noise accompanied a video projection of jumpy white segments dancing around a rectangular area, with bursts of noise interjecting every now and then. The pulsed noise changed into tweets and burbles, then evolved into deep rumbles and modulated sounded.
His set opened with tones resembling a buzzy music box, with low rumbling drones. Over the course of 25 minutes, these quiet, introspective sounds accumulated into asymmetrical grooves, with bubbly bass electronic tones, loops of buzzing wood-like tones, and garbled speech from cassettes and records.small bells and shook a bunch of goat hooves, among other acoustic items, into her laptop.
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