in London, an adaptation of his film of the same name and his first foray into the small screen, when he made a brief appearance as a special guest at the Red Sea International Film Festival in Jeddah this week.
“I would do anything that is possible to encourage that momentum and the creative collaboration in the direction I would encourage most creatives to go in,” he said. “I just don’t think anything negative can happen from that creative cultural collaboration.” “I’m essentially making a two-hour movie, that’s what I seem to understand and it’s very new to me in a sense that you realize how long you can spin a story for and that’s very attractive,” he said, noting that he felt the production value was “exactly the same as it is in film” but at a “fraction” of the budget. “Everyone in film is used to being paid so handsomely,” he said.
“Because there seems to be less pressure on me in order to give yourself two hours of a beginning middle and end form of entertainment, it allows you to be not under such pressure to deliver the requisite components of entertainment you need when making a two-hour movie.”
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