Carolina Sanchez
I would come in there early, mess around with the DJ equipment, and learn some of the things that he taught me how to do, before the tavern was open. I messed around with the equipment until I could figure out what it was he was trying to teach me. He taught me how to blend, and how to play to a crowd, and how to form your music; he taught me the basics.
I don’t know if you remember ChicagoFest—this was before Taste of Chicago—but we actually did ChicagoFest. I think the big song back then was “I Just Want to Be” by Cameo. And I played that; I must’ve mixed it six, seven times. That’s when I was overwhelmed by everything. It was a big stage, lots of people—it was really something.
I used to find my doors off the hinges; he was always taking apart things and never put them back. He was fascinated with taking things apart and seeing how they worked. That’s when he started messing with the equipment. I wanted him to get an education. I wanted him to do something with himself. I wasn’t even concerned about DJing.
I was never infatuated with any of the lifestyle—it didn’t amount to much to me, because I didn’t want him out in the street. I didn’t want him rippin’ and runnin’ around, or gangbangin’, or doing things he shouldn’t do. But I did know that if he was around those guys, I always knew where he was.
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