SPL!NG Movie Review: Bill & Ted Face The Music

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For a few decades, it seemed that 'Bill & Ted's Bogus Journey' in 1991 was the final chapter of the film franchise, but since the turn of the millennium a script for a long overdue sequel has been pinballed about Hollywood.

, the movie followed the misadventures of two metalhead slackers turned bandmates, leading to its own animated and live-action series spin-offs. For a few decades, it seemed thatin 1991 was the final chapter of the film franchise, but since the turn of the millennium a script for a long overdue sequel has been pinballed about Hollywood. After some technical issues and several revisions,By now, it’s easy to see that Keanu Reeves has got a thing for phonebooths based on his roles in.

As such, the co-lead performances are simultaneously constrained and compelled by playful lightweight entertainment, their chemistry and rock-till-you-drop charms. Rattling off things like “woah”, “no way” and saying many of their lines in unison, there’s not all that much room for the actors to move metaphorically and even literally, shifting their weight from side-to-side to attain an appropriate level of teenage giddiness.

checks a number of boxes, slowly building up to a frothy and enthralling conclusion. Kristen Schaal is a welcome presence and echoes the basic premise of. The Bill & Ted junior dynamic is brought to life by Hugo Weaving’s daughter Samara Weaving and Brigette Lundy-Paine while Holland Taylor gives The Great Leader gravitas.

The comedy is light, mostly centred on doofus quips and awkward doppelganger situations. Being so superficial and scattered across time,becomes a magpie’s treasure trove. The visual effects sell the time travel, create divergent Bill and Teds and help latch onto thesci-fi comedy tone. Being so visually orientated and insubstantial, the music keeps things bubbly as the story escalates to an enthralling and largely redeeming finale.

 

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