While O’Connor topped the charts with her own original songs as well as her cover of Prince’s “Nothing Compares 2 U,” she continued to poke at the powerful and the corrupt, onstage and off. And though theshows that O’Connor is a survivor — and one who paved the way for other musicians and pop stars to speak out against injustice.
I brought that idea to her team in 2018, expecting a very polite “Thank you, but no.” I think it was the timing: There was so much happening regarding gender inequality. Trump was in power. We’d had #MeToo, Harvey Weinstein, all of that stuff happening in your country. In my country, we had the 2015 marriage equality referendum and were gearing up for our abortion referendum. It felt crazy that her voice wasn’t part of all this amazing activism.
We didn’t know about the other films until we finished our edits. There’s definitely a cycle, which is super interesting. I haven’t quite got there in my head yet to work out why they’ve all dropped at the same time. It wasn’t that I wanted to make a film about a musician — I wanted to make a film with her because of how she affected me as an Irish person. I’m very interested in women who put their head above the parapet and have been deemed too noisy or potentially too dangerous.
Both Peaches and Kathleen Hanna [say in the film that they] found it super demoralizing to see how she was treated, and they were obviously young artists themselves [at the time], wanting to break through as women. Just seeing somebody that they massively admired … Has it really changed today? Probably not, in some ways. I don’t think we’re in a much better position.That burn-the-witch mentality, exactly. Over and over again.
KellyMDesmore I read that as 'really *bald* woman' and now I'm lmao. Sorry, no disrespect intended.
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