The Art of Dying

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The longtime New Yorker writer Peter Schjeldahl died last week, at age 80. Read Schjeldahl’s 2019 reflection on the art of dying, which he wrote after receiving a devastating cancer diagnosis.

Lung cancer, rampant. No surprise. I’ve smoked since I was sixteen, behind the high-school football bleachers in Northfield, Minnesota. I used to fear the embarrassment of dying youngish, letting people natter sagely, “He smoked, you know.” But at seventy-seven I’m into the actuarial zone.

I was at the wheel of my first brand-new car since 1962, a blue Subaru Forester that I dote on. I wanted for nothing. I want for nothing. The other night, I dreamed that I fetched the car from a parking lot only to find that it was another Subaru Forester, with two hundred thousand miles on it, dirty and falling apart. But the real one sits gleaming on East Seventh Street today.Twenty-some years ago, I got a Guggenheim grant to write a memoir.

My mother maintained a peaceful home, and neither she nor my father was ever physically abusive. But they were wrapped up in themselves and each other to the extreme of being jealous of their five kids, of whom I’m the oldest. From my father’s point of view, God forbid my mother should waste affection on me that could go to him. Zero sum. Everything that he had went into his work, and everything that she had went into him.

Late in life, going dotty , my father contemplated returning to the battle zone of the Ardennes and seeking out German privates who had fought on the other side. He wanted to test his theory that they had hated their officers as much as he had hated his—whose sole aim, from his perspective, was to squander the lives of their men.

I was set up to be the tower-of-strength big brother, a surrogate parent, and my three younger sisters and my younger brother bought into it. But my heart was a loveless void. I broke free at the cost of hating myself for letting my siblings down. Estrangements ensued that now, one by one, are healing. Ann, Don, Peggy, Mary, and me: an accountant, a geographer, a massage therapist, a chef, and an art critic. We’ve done all right.

Staring eyes greeted my return to the paper, and the editor-in-chief called me into his office and shut the door. He said, “I don’t know what you did or what you said, and I don’t want to know. Never do it or say it again.” My uptown feats didn’t impress people whom I looked up to in the downtown art scene, where anti-bourgeois hardheadedness and minimalist disdain for the “literary” reigned. They were contemptuous of the. I was Peter the poet, a relative nobody. Advice to aspiring youth: in New York, the years that you spend as a nobody are painful but golden, because no one bothers to lie to you. The moment you’re a somebody, you have heard your last truth.

 

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I read it all in one seating. An amazing read.

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Beautiful read - so real, so warm, so valuable.

An amazing writer

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