Oh, and a starring role in Ruben Östlund’s Here, in Östlund’s follow-up to his, Dickinson plays Carl, a model in a rocky relationship with influencer Yaya . Even stormier than their coupling is the luxury cruise to which they score an invite, where the travelers and staff clash in increasingly erratic ways.
So it’s not about character development or creating any sort of background. Normally, I have so many things to go off of, where I’m doing loads of research or trying to build a base for someone to create a person. But with Carl, it was situational; it was finding him along the way and being open to the scenarios creating the character, rather than me.
[where his character winds up stranded, though, through some cunning self-interest, not having to work hard to survive] , I was having to take a back seat from all of the physical stuff because Carl didn’t do anything. I like to think of myself as very hands-on, good at DIY; I can make a fire and I can fish or whatever. So it was hard for me to not be able to offer any help, because I would be there, straight away, trying to do something, even if I was rubbish.
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