’s signature creators and as a generational figure in the horror genre; though his past series for the streamer, including “Midnight Mass” and “The Haunting of Hill House,” have been of various quality overall and from episode to episode, they’re consistently interesting. His willingness to engage ideas with his scares sets him apart, perhaps more than it should.,” which Flanagan and Leah Fong co-created based on the work of YA novelist Christopher Pike.
That lines begin to blur, with jump-scares making the hospice seem like a portal to more than just teen imagination, should come as no surprise. But say this much: The stories are well-told, conjuring a real sense of dread that both exists external to these young people’s plights and, inevitably, nestled up alongside them.
The mix of personal stories among the teens has the power to resonate with anyone, but one suspects this show will find its most attentive audience among high-schoolers with stiff constitutions and strong nerves. Even more than “Stranger Things,” it operates with a sort of teenage emotional logic, with characters and the show itself thrumming with the passion to speak out and be understood on their own terms.
But even this adult admired “The Midnight Club” as a relatively complete example of the best of Flanagan’s approach throughout his Netflix work — using horror as a way to probe the worst things that might happen to somebody, arriving at a place of curiosity and compassion about grief and loss.
DPD_ it’s so bad😭😭😭 kinda disappointing
DPD_ Ep 4 bored out of my mind.
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