It poured out of him one rainy night in Georgia when he was"struggling and broke," he told Reuters. But for years, even as he achieved success in show business, including with the popular Madea franchise and his own studio production complex, it hung in his head and he felt he could not make it. Not yet.
"The thing that made it hard to wait was the criticisms of some of the other movies, people thinking that this is all I could do when I understood and knew that I had 'Jazzman' in my back pocket." The film, a saga of love and murder, tells the story of Bayou and Leanne, Black lovers in 1940s Georgia who are separated, then meet again years later when Bayou has become a song-and-dance sensation and Leanne has married and is passing as white.
It was also an experience to learn about"colourism" and passing as white in American history, she said.
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