‘One Fine Morning’ Review: Léa Seydoux Shines in Mia Hansen-Løve’s Story of Love and Loss | TIFF 2022

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'One Fine Morning' is a captivating tale from Mia Hansen-Løve that packs an emotional wallop and one of Léa Seydoux's best performances. Our TIFF22 review:

Mia Hansen-Løve has a way of making even the most introspective, quiet stories feel grandiose. Take, for example, last year’s Bergman Island, in which a pair of writers going on a working vacation became an expansive look at storytelling, great directors, and gender roles—all in a film that one of the best from 2021.

COLLIDER VIDEO OF THE DAY In her job as a translator and in these relationships, Sandra is a middle man of sorts. In her affair, she’s probably the person with the least amount of power, as her and Clément’s relationship is largely dependent on Clément’s marriage, while with her father, she’s just doing the best she can in a situation that is entirely out of her hands. She knows she could call things off with Clément, but then she’d lose one of her primary sources of happiness.

RELATED: Viggo Mortensen & Léa Seydoux Reveal the Roles They Originally Wanted to Play in 'Crimes of the Future' And yet, One Fine Morning is also about embracing the things that are important to us while we can, enjoying the things that make life truly beautiful. In one of One Fine Morning’s most lovely scenes, Sandra and her family have a raucous Christmas celebration, as they present for the kid’s sake that Santa Claus is coming while they hide in a bedroom.

 

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