Being born here in Los Angeles, my father was a truck driver for the industry, so I was raised on set. I was always around film sets as a kid, and I found it fascinating. It was so different from everything else. It’s a glorified circus. I always appreciated that it felt very free and fun, and I always enjoyed being on set. Growing up, I knew I wanted to do camera work.
How do you balance the schedule between your two careers, since they both require large blocks of time when active? It’s kind of difficult right now with Pulley, because we’re looking at April and May of next year, and I don’t know what job I’ll be on or if I can schedule it. I basically just have to commit and say “Look, we have three weeks to go through Australia.” Luckily, my career is not like a desk job where I have to use vacation days, it’s more that if I get a job offer I have to tell them that I’m not going to be available during that time.
Is there anything else that you would want to share about how filmmaking and music intertwine for you? With both filmmaking and music, I couldn’t do anything else. Sometimes we’ll film in an office location for like three weeks, and I realize that’s a lifestyle I couldn’t have done. I wouldn’t survive there. I love that every day can be different in music and filmmaking. No two days are really the same. They both let you use your creative side, and it’s a blessing for a person like me. I don’t know if I could survive in the regular workforce doing the usual pencil-pushing.
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