“If you listen to philosophical discussions,” the pediatrician and psychoanalyst D. W. Winnicott writes in “,” from 1964, “you sometimes hear people using a lot of words over the business of what is real and what is not real.” A well-adjusted adult, Winnicott goes on, has a solid grasp of what is real and objective versus what is imaginary and subjective. A child, crucially, has not yet made this distinction.
A central question that hangs over “The Rehearsal,” as well as Fielder’s previous semi-reality series, “Nathan for You,” is that of informed consent.
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