In China, Nut Brother and other climate activists have to find ways to get their message across to the public, without crossing an invisible ‘red line’ that would end their careers. Photo: Reuters
His strategy is a risky one in a country where activism is increasingly suppressed, and where art and literature are closely scrutinised to ensure they conform to Communist Party ideals. Nut Brother positions the plastic fish for his installation in Zibo, Shandong province in March 2021. Photo: Nut Brother
His projects “are all very close to everyday life, like music, hotpot, or drinking water, but once you go closer you find the messages are so striking,” said Li. Unlike artists such as Ai Weiwei, who adopt a stance that challenges China’s one-party system, environmental artists in China like Nut Brother try to work within the confines of the system. Performance art can raise public attention in a less confrontational way, he said.
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