The acronym stands for self-knowledge, orality, rhythm, political content and context, language, urgency, sacredness and integrity. Those principles became a foundation for the partnership between Watson and Paul, who share a common desire to tell stories rooted in their Caribbean heritage. They employ music, comedy and colourful visual tapestries to call out serious issues while having a ton of fun.
That's such a fascinating exercise to go through because as artists, we're so often asked to make things smaller due to budget constraints or whatever. But you were tasked to scale up, which is rare. What did that feel like?It was kind of an interesting exercise on the funding side. We're going to put it outside, take it to where the people are, bring it to places where it might not ordinarily get to go — and that is, like, a granting sweet spot.
I wanted to talk specifically about the circus because it has such a complicated history when it comes to Black folks. Can you talk a little bit about this idea of reappropriating the circus from what was once — a place where Black folks were used as spectacle — and what it means to reclaim that space?, we were very interested in the idea of the freak, the sideshow, and kind of turning that on its head to be like, you know, this is an absurd way of looking at things.
Where's the theatre for the people? It has to go to the people. It's born of our heritage, right? It's born of this Caribbean sensibility that belongs there.
Arts what is going on inside the CBC? On a day with nationwide protests in every major city they are running stories on variety shows, a book, and iced tea. the CBC is Trudeau's lil' bitch
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