, the thrilling directorial debut from Charlotte Colbert, the ashes of burned witches didn’t compost into peat or trees, but into revenge. Set in overcast, heavenly Scotland, the film tells the story of Veronica Ghent , a glamorous aging starlet who’s recovering from a mastectomy at a rural retreat, along with her nurse Desi Hatoum , against a backdrop of eerie sounds and gorgeous, long shots of forests.
“I loved the initial concept of someone's individual trauma connecting with a collective one, I guess, and together, marching towards a weird form of healing,” Colbert tells NYLON. “I think it's quite interesting playing with the tropes of the genre in that sense and setting up something that's really, as you say, classically, what you'd expect and then taking us down the rabbit hole of sort.
I loved the initial sort of concept of someone's individual trauma connecting with a collective one, and together, marching towards a weird form of healing. I'm so glad you picked up on the soundscape, because we actually spent a bit of time doing it and the sound designers were just amazing. Hhe’s called Johnnie Burn and he is sort of my hero. We were struggling with the sound and I realized he lived in Brighton, which is not far from where I am by the sea in England, so I drove down to try and convince him to come help us.
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