that she’d been so inspired after reading the film’s source material — Delia Owen’s novel of the same name — that she knew she wanted to be involved on the musical side as soon as she heard a film was in the works. “is a book I got absolutely lost in when I read it years ago,” she’d written. “I wanted to create something haunting and ethereal to match this mesmerizing story.”
“We were working on a script, and we had not started production,” Newman continued. “So she wrote the song before we jumped into production. “It’s hard to know exactly what song will be the perfect fit for it, but obviously, when I heard the song for the first time, I had an initial response to it, which was the same feeling when I finished the book.”
“I knew that was the feeling I wanted to leave the movie on so immediately I thought ‘this is going to be a perfect fit for the end of the movie,'” she added. Newman also revealed that “Carolina” — which Swift wrote alone and produced with Aaron Dessner — was stuck in her head the entire time they were filming the Daisy Edgar Jones-led movie. “I knew that that was sort of the emotional feeling that we were going end the movies with,” the director said of the song. “It was done in reverse order than it usually is but because her music was just so honest, it was just such a perfect fit.
'IT'S NOT HER MOVIE!' 💀
CAROLINA FOR EGOT 🥰😇
SwiftNYC Done
Taylor is Iconic.👈
i love you 🫦📱🇻🇳
Tay Tay
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