Distributed by Next Entertainment World, “The Witch: Part 2” conjured up an $8.21 million opening weekend from just shy of 1,800 screens nationwide. That gave it a market share of 48%. Including Wednesday and Thursday figures, the film enjoyed an $11.7 million five-day debut, earned from 1.46 million ticket sales.
The strong start for “The Witch: Part 2” lifted nationwide aggregate gross receipts to $17 million over the weekend, up from $14.7 million previously. In a further sign of normality being restored, the top two titles were Korean-made. “Broker,” the Cannes title about adoption, earned $1.27 million in its second weekend. After 12 days in theaters it has amassed $8.58 million. While the 70% week-on-week may be disappointing, the total is far in excess of the cumulative of all Kore-eda Hirokazu films previously released in Korea. It passed one million ticket sales on Friday, its tenth day on release.
I read your clueless article. All the reasons Light-year coming up short. Except the real reason. Disney has upset half the country with its political views. But Hollywood won't admit. They still tell themselves everyone still watches the Oscars.
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