Razat also uses her “Emily in Paris” perch to do so, working with costume designers Patricia Field and Marilyn Fitossi to bring in new concepts and “really push forward,” she says. That results in some of the totally over-the-top looks that the Netflix show has become known for.
“Emily in Paris” rocketed her to international fame, but her next project is a French horror film titled “Mastemah,” about a young psychiatrist who is haunted by a former patient who died in front of her. It’s the polar opposite of the flirty French girl persona she plays in “Paris.” “I know how much it is hard to be relevant,” she says. “To be a designer today with so many collections is crazy. Before they had like maybe 12 dresses and today it’s 75 [per show]. It’s so much work, and I respect that.” She’s been wearing Celine for the red carpet this festival.
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