For Dempsey Bob, walking into the Audain Art Museum in Whistler felt like a reunion: all of these pieces he had made over so many years, back together again.
“You start off with a block of wood, but they end up just like your children,” he continues. “Because you know every line. You carve every line, draw the line, you craft the line, paint the line, so you know it intimately and it’s part of you. It’s like your family.”Blaine Campbell/Photograph courtesy of Dempsey and Margaret BobMore than 100 pieces – or, family members, if you like – have been gathered for this first, overdue retrospective of Bob’s career, Wolves: The Art of Dempsey Bob.
– have personalities, with their expressive features emerging from Bob’s smooth surfaces. They also demonstrate the ambition of it all, the skill – the way Bob progressed from making traditional masks to contemporary asymmetrical wall sculptures. greets you as you enter, with its long fur and a human figure lying back on top of the wolf’s head, nestled in between its ears.
Bob was born in 1948 to Flossie Carlick and Johnnie Bob in Telegraph Creek, B.C., one of 10 children. Through his mother, he is from the Wolf Clan. A country music fan, she named him after her favourite radio disc jockey.
Ranked with Bill Reid as one of the greatest artists in Canada. Extraordinary sense of design, proportion, colour and a master carver who’s virtually unequaled. I met Dempsey decades ago and was overwhelmed by his talent. Now, he’s a legend. cdnpoli
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