with fellow Trophée Chopard honoree Elizabeth Debicki—the actor kept his suiting low key, wearing a classic black tux, possibly not wanting to stick out as a newcomer. For thepremiere, however, Alwyn’s progress since his last Cannes appearance was palpable in his stature, his confidence, and his clothes.
For the evening, Alwyn called on Hedi Slimane to design a Celine suit worthy of such an event. The result was a wool and mohair double-breasted coat in a light canvas. With the help of his stylist, Rose Forde, Alwyn opted to leave the jacket open to show off the black cotton poplin shirt underneath. In a conversation with, Alwyn admitted he’s not “good at talking about” clothes, but it’s clear the actor knows how to show them off.
Your look for the premiere was a bit of a departure for you, style-wise. Did you work with Hedi to come up with it? A little bit. The suit was a nod to my character, who wears a cream suit in the film. So, we thought we’d play off that idea. We also wanted to do something little boxier, but with a nice silhouette.It’s really nice being here with a film. It was fun four years ago, but to be here as part of the festival with a film in competition is really cool. And particularly to be here with Claire [Denis]. She’s a filmmaker worldwide, but her significance here is obviously through the roof.
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