, which chronicles a summer workday for a group of Tunisian fig harvesters. Under the guidance of DP Frida Marzouk, that camera peers through the corrugated branches of the orchard’s fig trees, trails the overworked characters as they delicately pick the soft fruit and ambles into gossip sessions and heated quarrels.
It is curious, but rarely overbearing — a position that grants viewers unique entry into the lives of these women.’ Directors’ Fortnight sidebar, Sehiri’s film is an elegant, understated tapestry of complex interactions. The protagonists, played by an intergenerational group of nonprofessional actors, debate societal expectations and narrow sexual mores while whispering secrets, sharing meals and shedding tears.
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