On the Count of Three isn’t your typical, run-of-the-mill buddy movie. The lead protagonists, Val and Kevin, are both committed to killing themselves in 24 hours, and want to settle old conflicts that led them to their fatal decision. Yet what sounds like a serious drama is also one of the best comedies of the year, and that’s largely due to the great screenplay by Ari Katcher and Ryan Welch.
Can you describe your collaboration process with Jerrod? How did it differ from how you work with him on The Carmichael Show? Welch: I would say probably most of the work happened before we were shooting and making sure the actors were comfortable with it. But in terms of when the cameras rolled, it was pretty faithful to the script.On the Count of Three has some dark themes, but it’s also pretty funny. As writers, how do you toe that line between drama and comedy? Because if you go overboard with the comedy, you can make light of some serious stuff.
In the movie, there’s kind of a subtle running commentary about gun control. What was the intention there? Was it just to sort of poke fun at the absurdity of the situation and Kevin, who seems to be very liberal, but also brandishes a gun and feels power from it?
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