Viggo Mortensen: Cannes Hasn’t Fully Given David Cronenberg “His Due”

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The 'Crimes of the Future' star discusses his four-film collaborative partnership with Cronenberg, getting back behind the camera after his directorial debut 'Falling' and asks enough questions about Amazon's 'The Lord of the Rings' prequel to make it clear he hasn't really been paying attention.

may indeed be shocking, it’s also a film that should leave the audience with questions and talking points ., Mortensen explains why working with Cronenberg feels like being on set with someone just out of film school, describes how the director’s daring and controversial and professes his love forHowever, it would seem that he hasn’t been paying all that much attention to more recent big-budget movements in Middle Earth despite his ancestors being involved.

Even by his own standards, this film sounds pretty wild. How would you rank it in terms of Cronenberg craziness? Your character is a performance artist who showcases the metamorphosis of human organs. I’m assuming this is a little more than Kevin Costner having webbed feet and gills inHa, yeah. It’s more an internal thing than external. In the story, Léa Seydoux is both my partner and creative partner, and she’s a very no-holds-barred, uncompromising artist and probably pushes the boundaries more than my character.was arguably Cannes’ biggest WTF moment.

 

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this whole profession really lives for all those awards & trophies. Theyve been indulging themsleves for so long its now a grotesque kind of entitlement. Its not enough they get paid for doing a job. Like toddlers & tiaras they want those glitterball trophies & heaps of praise.

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